Wednesday, 11 December 2013

Ludwig Mies van der Rohe (March 27 1886 – August 17 1969)

He was a German Architect who was broadly viewed as one of the original masters of modern architecture. Mies, like many of his post WW1 generations, pursued to form a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential Twentieth-Century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strived toward architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings “skin and bones” architecture. He pursued a balanced method that would guide the creative process of architectural design, and is known for his use of the aphorisms “less is more” and “God is in the details.”

Monday, 9 December 2013

Gerrit Rietveld

Reitveld (June 24 1888 – June 26 1964) was a Dutch Furniture Designer and Architect. In 1911, he started his own furniture factory. He was influenced by the ‘De Stjl’ movement (style, harmony & order). His work was a reduction to the essentials of form & shape. He was a member of the movement and Architect in 1919. Reitveld went through a lot of change during his period: slavery, Industrial Revolution, WW1 and the Great Depression. He used primary clours and simple basic shapes. In addition, he was also a product designer such as designing lamps, and as a chair designer, he designed rectilinear chairs. Also, Reitveld designed the ‘Zig-Zag’ chair in 1932 and started the design of the Van Gogh Museum in Amsterdam.

Tuesday, 3 December 2013

Ergonomics

Ergonomics, which can also be referred to as human factors, is the study of work and the science of fitting jobs to the people who work in them. It is the science of designing equipment, the workplace and the job to fit the worker. Ergonomic stress can be reduced by adapting the job to fit the worker. Ergonomics specifically focus on the work environment and items such as the function and design of work stations, displays, safety devices, controls and tools to fit the employee’s physical requirements, limitations and capabilities to ensure their well-being.

The data we collected in class helped us to find out the average size of a human being. This research will help and allow us to make a scale chair that would allow anyone in our class to fit comfortably into.
Ergonomics is important and humans need it in their life. The reason for this is because humans come into contact with ergonomics on a daily basis. Hence, it is a necessity. Ergonomics have five main principles which are: aesthetics, comfort, ease of use, safety, productivity and performance. These five principles can be broken down into three areas: physical, cognitive and organisational ergonomics.

Physical Ergonomics: This is concerned with the way the body interacts with the workers’ tool (such as personal computers and chairs) and their effects on the body such as posture, layout of the workplace, repetitive disorders and the health & safety of the workplace. Cognitive Ergonomics: This relates to the way the mind practices data it is presented with and related motor functions, memory usage and decision-making. Study of these aspects and the collaboration between humans and the data presentation can improve everything from the location of signs, the visibility and recognition of the data. Organisational Ergonomics: This is concerned with improving the workplace, everything from cooperation to measuring telecommuting and quality organisation.

Ergonomics could be useful to an artist or a designer in many ways. As it comes into everyday use which can be applied into the work of an artist to help them with their ideas to further develop into final products. An artist or a designer must make sure products meet the product specification, which should be directly influenced by the analysis of research. This will certify quality of design and that the end product is fit for purpose.

Furthermore, Frank and Lillian Gilbreth expanded the field of ergonomics by expanding Taylor’s methods in the early 1900’s to develop ‘Time and Motion Studies.’ They targeted to advance effectiveness by removing pointless stages and actions.


Personally, I would say that I see myself as being ergonomic as I come into contact with it regularly, be it at home or outside of the home. Also, I try to take as much care as I can when it comes to organisation and my surroundings.  

Monday, 2 December 2013

Kara Walker


Kara Walker, an African-American contemporary artist is most known for her black cut-paper silhouettes in which she portrays race, identity, gender, sexuality and violence. Kara Walker was born in 1969. Walker received a BFA from the Atlanta College of Art and a MFA from the Rhode Island School of Design. Her first exhibition was in Atlanta in 1991. A few years later, she became the youngest–ever recipient of the ‘Genius Award’ (MacArthur Foundation Achievement Award) at the age of 27 in 1997. Furthermore, Walker seems to have taken a multiculturalist attitude in her private life, appreciating all people and accepting diversity. In 1998, she was interviewed, and she recalled an incident where she found a horrible note from the Ku Klux Klan after she took a walk in the [ark with her white boyfriend John. Walker was frequently disliked for “hanging out” with the white kids. Her romantic attraction to those she calls “white boys” is thought-provoking in the way that it interprets as a recurrent theme in her work.



Kara Walker Art Evaluation
Subject Matter and Technique:
In this piece of art work, Walker is trying to portray a young girl who appears to be either surrounded by fire and is trying to escape this dangerous situation, or she could have set the fire herself with the can in her hand.  
Emotions play a key role in the observation of art work; especially Walker’s art work as she purposely only includes two bold contrast colours: black and white. This could be to convey the emotion or feeling of horror, anger or jealousy in this particular image. Jealousy is a predominantly interesting emotion that this picture could be representing. For example, if this young girl did set the fire herself, then it may be because of a tough time that she went through in her life which Walker may be trying to express; and this tough time could involve hatred which mainly leads to jealousy. Walker once said, “I’m not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.” From this quote, it could be inferred that even though she completely separates the two colours, she is a strong believer in equality and is trying to put emphasis and create an impact that there should be a united power and no segregation.


In my copy of Walker’s art work, I used black acrylic paint to create the silhouette effect, though I used black chalk for the smoke to create that smoke looking effect as well as to differentiate the result of this danger which is fire, and the aftermath which is the smoke. In addition, the depth of this art work is flat yet bold from close up as well as from a distance. This could be creating a sense that Walker is trying to make a statement of a young innocent frightened girl up against what could be her last breath as she is surrounded by fire. This statement could be directly related to Walker herself as it may have occurred to her and so she is expressing it through her art work.    



Michael Craig-Martin Evaluation


                                                                                   Subject Matter:
This piece of art work is known as pop art as the letters overlap each other with an outline of a globe on top of the letters. The letters spell ‘NEWS’ and the globe on top of it represent different news announcements that are heard every day around the world. It could be suggested that the colours of the letters are all different as hot and cold colours represent different types of news such as war in comparison to a royal baby being born.

Technique:
Though Craig-Martin overlaps the letters here, he is known for paintings which include no tone but instead flat bold colours. The composition consists of straight neat lines for the letters and an outline of a globe overlapping ‘NEWS’ which gives a short and instant message. This art work has been painted using acrylics which I have also used.  

Artists Career:
Michael Craig Martin was born in Dublin (Ireland) in 1941 on 28th August and died at the age of 71. He was born in the year in which Dublin was bombed as well as during the World War II. Craig-Martin was educated in the United States where he studied Fine Arts and Architecture at Yale University. From 1966, he moved to England permanently to teach.


Links with Own Work:


Personally, I dislike Craig-Martin’s work as it doesn’t interest me instantly due to his no-tone colours and neat lines. I prefer work with different uses of tones and shapes rather than straight lines and flat use of colours. In addition, he uses heavy and tame colours which are not appealing to the eye from my point of view. However, one really interesting part of his work that does interest me is the fact that he increases and decreases objects that wouldn’t be of that scale, such as a safety pin is scaled much larger than a ladder as shown in the picture below, which I have tried to replicate in my work in his style.